Reading Sara Ryan’s Never Leave the Foot of an Animal Unskinned
Within reach from my desk is a small wooden box. Inside is a snake’s skull, the gift of a friend…
Within reach from my desk is a small wooden box. Inside is a snake’s skull, the gift of a friend…
Last week I read Gerard Manley Hopkins at length for the first time (I’d read “Spring and Fall” several times…
I’ve neglected to update this page for a few months, so I have some back-filling to do. The first piece…
The twenty-seven desks of Bunche 3117, a small UCLA classroom, remain bolted to the floor, as they have been for…
Twice I’ve seen the poet and critic Bill Mohr hold aloft a copy of Laurence Goldstein’s Poetry Los Angeles. Mohr…
Eloise Klein Healy is one of those writers whose style became associated with L.A. after the 1960s: loose lines, conversational…
Last month, the poet Tim Miller published a large batch of my poems in Underfoot, an online journal he co-edits…
A selection from my current project, Naming the Animals, is up at Underfoot Poetry. Thanks to editors Tim Miller and…
Thanks to Andrea, Jeff and Ryn for publishing “Ravenous” at panoply. This is a themed issue, collecting poems around Adam &…
Theodor Adorno warned against poetry after Auschwitz. To write it, he said, is “barbaric” because “critical intelligence … confines itself…