Left Write & Centaur

Reading Bill Mohr, Hold Outs: The Los Angeles Poetry Renaissance, 1948-1992

Twice I’ve seen the poet and critic Bill Mohr hold aloft a copy of Laurence Goldstein’s Poetry Los Angeles. Mohr…

June 25, 2018
Los Angeles Made Wild: Eloise Klein Healy, Artemis in Echo Park
June 15, 2018
Infinity Mirror: Hans Eijkelboom, People of the Twenty-First Century
May 31, 2018
The Awful Mystery of the Divine: Tim Miller, Hymns & Lamentations
May 15, 2018
Nine poems up at Underfoot Poetry
May 4, 2018
Poem up at panoply

Signs and Portents

Toward the end of my usual walk in Venice, I was confronted by a graffitied warning, on Hampton Drive: GET…

March 7, 2018
Still Life with Pedal Car
February 13, 2018
On Drought and Salt
January 9, 2018
Flotsam
September 29, 2017
Ai Weiwei Sojourns in Venice
September 16, 2017
Boxes both Little and Big

Los Angeles Made Wild: Eloise Klein Healy, Artemis in Echo Park

Eloise Klein Healy is one of those writers whose style became associated with L.A. after the 1960s: loose lines, conversational…

June 15, 2018
Infinity Mirror: Hans Eijkelboom, People of the Twenty-First Century
May 31, 2018
The Awful Mystery of the Divine: Tim Miller, Hymns & Lamentations
April 28, 2018
After Auschwitz, Poetry: Ewa Chrusciel’s Of Annunciations
February 26, 2018
Paper Raincoats and Concrete Warships
January 23, 2018
The Power of Recursion: Inger Christensen & Alexander Theroux

Finding Unpublished Verses

If you lose your parents in middle age, then by the time you sort their school papers, you’ve resolved most…

October 23, 2017
Reconstructing a Grandmother
September 28, 2017
The Suitcase at the Center of Nebraska
September 11, 2017
My Impending Catastrophe
September 3, 2017
Imperfection
September 1, 2017
The Stillborn Photograph

Nine poems up at Underfoot Poetry

A selection from my current project, Naming the Animals, is up at Underfoot Poetry. Thanks to editors Tim Miller and…

May 4, 2018
Poem up at panoply
April 21, 2018
Poem up at Convergence
February 5, 2018
Mama Wake Your Child
January 30, 2018
When the Garden Burns

URLs I Love

Left Write and Centaur

Leftwriteandcentaur

Ideas and Provocations

The Economist because it intelligently digests the previous week’s global politics, business, culture and personalities. Since 1844, The Economist has championed a libertarian-centrist vision with humor and respect for its readers. Unlike many publications, The Economist keeps track of its own editorial commitments, freely (and almost proudly) confessing errors of judgment over time. I read it cover-to-cover late every Saturday night, with in a rocking chair with a glass of wine.

The New Yorker because it still showcases some of the world’s best long-form journalism, both on headline issues and on little-known ideas, personalities, and events. Extra points for its cultural criticism and for “Talk of the Town”

The Atlantic because, for the last thirty years, it has framed the national agenda. Reading The Atlantic, I have a pretty fair idea what politicians and journalists will be talking about over the ensuing months.

Harper’s Magazine because it is reliably skeptical of wealth, power, media, and established institutions. Bonus: Harper’s Index.

The New Inquiry because this Brooklyn-based online-only magazine has an eclectic vision and critical sass that give The New Yorker, The Atlantic, and Harper’s more than a bit of competition.

The New York Review of Books because I can’t read everything on my own, and The New Criterion because I don’t want to pretend that the only readers remaining in the world are on the Left.

Visual Arts

Colossal because it’s a mind-blowing digest of visual culture.

idsgn: A Design Blog because design – good and bad – shapes everything from policy to daily life.

Poetry & Fiction

The Poetry Foundation because most every American style ultimately finds a home here.

World Literature Today because the United States isn’t big enough for everything that needs saying.

The Sun Magazine because I like hearing people telling their own stories – especially people I’d never otherwise meet.

World Affairs

Le Monde Diplomatique (English edition) because it is strongest where other sources are weakest, developing stories from rarely-covered parts of Eastern Europe, West Africa, and Southeast Asia as well as fresh perspectives on women’s lives, the environment, migration, and the global economy.

PRI’s The World because, from Haudenosaunee (Iroquois) women’s lacrosse to Iranian elections and Brazil’s growing Pentacostal churches, this program is on the ground everywhere. Bonus: every show devotes a segment to the world’s popular musics. The playlist alone is worth a visit.

Foreign Affairs and Foreign Policy because I want to know how the establishment thinks about the world. The American Interest because – though it reflects views from the foreign policy establishment – critiques it from a nationalist perspective, and The New Internationalist because it does the same from the Left.

Politics & Policy

The New York Times, Washington Post and Los Angeles Times and “All Things Considered,” because, as a matter of fact, those journalists who work in “the mainstream media” regularly do extraordinary work.

The news & opinion digests realclearpolitics, realclearpolicy, realclearworld and others from RealClear Media Group because because they curate a range of views, though largely within a Centrist and Center-Right frame.

Jacobin, The Nation, In These Times, Truthdig, and Moyers & Company because the mainstream often overlooks stories and perspectives developing on the Left. On the Right, the go-to list includes American Conservative, The Weekly Standard, and The National Review.

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