Left Write & Centaur

The Hand that Wants to Become God

This past week, an anonymous neighbor left two shopping bags full of books at the Little Library we built at…

September 16, 2017
Boxes both Little and Big
September 11, 2017
My Impending Catastrophe
September 9, 2017
While Ashbery Dies, I Read Sandburg
September 3, 2017
Imperfection
September 1, 2017
The Stillborn Photograph

Boxes both Little and Big

It wasn’t an earthquake that left the wreckage on the left. It was a demolition crew. This former home, in…

August 24, 2017
What Was Eclipsed?
August 21, 2017
Today We Got Death Threats
August 20, 2017
Memory, from Yugoslavia to Charlottesville
August 15, 2017
Dunkirk and Dreamtime
August 12, 2017
John Hersey, Hiroshima

While Ashbery Dies, I Read Sandburg

The week John Ashberry dies, I read Carl Sandburg’s Wind Song. Ashbery is, for the time being, celebrated. Sandburg, once…

August 26, 2017
Swimming Between Two Cities
August 10, 2017
Wendell Berry, Roots to the Earth
August 4, 2017
Book Monster meets Mary Szybist
July 21, 2017
Anaïs Nin & Husband
July 18, 2017
Poems for Just a Few Children

My Impending Catastrophe

Today, L.A. is deep into its late summer routines. Kids are back in school. Labor Day is already forgotten. As…

September 3, 2017
Imperfection
September 1, 2017
The Stillborn Photograph
August 18, 2017
Gods and Gastropods
August 8, 2017
Bureaucrats, Ancestors, and Nabokov’s Butterflies
July 31, 2017
The Divided Self

URLs I Love

Left Write and Centaur

Leftwriteandcentaur

Ideas and Provocations

The Economist because it intelligently digests the previous week’s global politics, business, culture and personalities. Since 1844, The Economist has championed a libertarian-centrist vision with humor and respect for its readers. Unlike many publications, The Economist keeps track of its own editorial commitments, freely (and almost proudly) confessing errors of judgment over time. I read it cover-to-cover late every Saturday night, with in a rocking chair with a glass of wine.

The New Yorker because it still showcases some of the world’s best long-form journalism, both on headline issues and on little-known ideas, personalities, and events. Extra points for its cultural criticism and for “Talk of the Town”

The Atlantic because, for the last thirty years, it has framed the national agenda. Reading The Atlantic, I have a pretty fair idea what politicians and journalists will be talking about over the ensuing months.

Harper’s Magazine because it is reliably skeptical of wealth, power, media, and established institutions. Bonus: Harper’s Index.

The New Inquiry because this Brooklyn-based online-only magazine has an eclectic vision and critical sass that give The New Yorker, The Atlantic, and Harper’s more than a bit of competition.

The New York Review of Books because I can’t read everything on my own, and The New Criterion because I don’t want to pretend that the only readers remaining in the world are on the Left.

Visual Arts

Colossal because it’s a mind-blowing digest of visual culture.

idsgn: A Design Blog because design – good and bad – shapes everything from policy to daily life.

Poetry & Fiction

The Poetry Foundation because most every American style ultimately finds a home here.

World Literature Today because the United States isn’t big enough for everything that needs saying.

The Sun Magazine because I like hearing people telling their own stories – especially people I’d never otherwise meet.

World Affairs

Le Monde Diplomatique (English edition) because it is strongest where other sources are weakest, developing stories from rarely-covered parts of Eastern Europe, West Africa, and Southeast Asia as well as fresh perspectives on women’s lives, the environment, migration, and the global economy.

PRI’s The World because, from Haudenosaunee (Iroquois) women’s lacrosse to Iranian elections and Brazil’s growing Pentacostal churches, this program is on the ground everywhere. Bonus: every show devotes a segment to the world’s popular musics. The playlist alone is worth a visit.

Foreign Affairs and Foreign Policy because I want to know how the establishment thinks about the world. The American Interest because – though it reflects views from the foreign policy establishment – critiques it from a nationalist perspective, and The New Internationalist because it does the same from the Left.

Politics & Policy

The New York Times, Washington Post and Los Angeles Times and “All Things Considered,” because, as a matter of fact, those journalists who work in “the mainstream media” regularly do extraordinary work.

The news & opinion digests realclearpolitics, realclearpolicy, realclearworld and others from RealClear Media Group because because they curate a range of views, though largely within a Centrist and Center-Right frame.

Jacobin, The Nation, In These Times, Truthdig, and Moyers & Company because the mainstream often overlooks stories and perspectives developing on the Left. On the Right, the go-to list includes American Conservative, The Weekly Standard, and The National Review.

Search

Search for: s